La Legge 1 agosto 2002, n.
166 "Disposizioni in materia di infrastrutture e trasporti", è stata
pubblicata nella Gazzetta Ufficiale n. 181 del 3 agosto 2002 - Supplemento
Ordinario n. 158.
Le principali
modifiche alla Legge 109/94 previste dall'art. 7 del DDL 1246 (ex Camera 2032)
sono le seguenti:
-
Prorogata la durata
dell'attestazione a cinque anni con verifica entro il terzo anno del
mantenimento dei requisiti di ordine generale nonché dei requisiti di
capacità strutturale da indicare nel regolamento
-
Eliminata
la possibilità alle regioni di imporre o meno la certificazione SOA
-
E'
facoltà delle stazioni appaltanti richiedere ulteriori requisiti attestanti
l'esecuzione di lavori nello specifico settore di intervento.
-
Possibilità del consorzio
stabile di qualificarsi sulla base delle qualificazioni possedute dalle
singole imprese consorziate.
-
Possibilità di costituire
consorzi stabili di società di professionisti.
-
Limite della possibilità di
subappaltare opere fino al 30%.
-
Divieto di subappalto quando una sola delle categorie superspecializate
supera il 15% dell'importo dei lavori.
-
Ampliamento della
possibilità di aggiudicare attraverso l’Appalto Integrato per importi di
lavori inferiori a 200.000 euro o pari o superiore a 10 milioni di euro;
-
L’appaltatore che partecipa
ad un appalto integrato di cui al comma 1, lettera b), numeri 1) e 3), deve
possedere i requisiti progettuali previsti dal bando o deve avvalersi di un
progettista qualificato alla realizzazione del progetto esecutivo
individuato in sede di offerta o eventualmente associato; il bando indica
l’ammontare delle spese di progettazione esecutiva comprese nell’importo a
base di appalto ed i requisiti richiesti al progettista, in conformità a
quanto richiesto dalla normativa in materia di gare di progettazione.
-
Possono fare parte delle
commissioni di collaudo, limitatamente ad un solo componente, i funzionari
amministrativi che abbiano prestato servizio per almeno cinque anni in
uffici pubblici
-
E’ scomparso qualunque
riferimento all’anticipazione contrattuale;
-
Resta l'obbligo di
presentare una polizza provvisoria qualunque sia l'importo dei lavori;
-
Cauzione definitiva aumentata di un punto in percentuale per ogni punto che
supera il 10 per cento; ove il ribasso sia superiore al 20 per cento,
l’aumento è di due punti percentuali per ogni punto di ribasso superiore al
20 per cento;
-
Viene previsto uno svincolo
progressivo sulla cauzione definitiva a partire dal 50% del Sal. (anche per
i contratti in corso)
-
Si introduce l’obbligo per
tutti i soggetti che effettuano la verifica del progetto di essere muniti
di una polizza indennitaria civile per danni a terzi per i rischi derivanti
dallo svolgimento dell’attività di propria competenza.
-
Il sistema di garanzia
globale di esecuzione, una volta istituito, è obbligatorio per tutti i
contratti di cui all’articolo 19, comma 1, lettera b), di importo superiore
a 75 milioni di euro;
-
Vengono radicalmente
rivoluzione le norme relative alla finanza di progetto
-
Il Governo provvederà a
modificare il regolamento di cui al citato D.P.R. n. 34 del 2000 prevedendo
la possibilità per l’Autorità di vigilanza sui lavori pubblici di comminare
sanzioni rapportate alla gravità delle violazioni compiute dagli organismi
di attestazione
-
La quota di lavori
subappaltabili resta del 30%
-
Per
l’affidamento di incarichi di progettazione ovvero della direzione dei
lavori il cui importo stimato sia inferiore a 100.000 euro le stazioni
appaltanti per il tramite del responsabile del procedimento possono
procedere all’affidamento ai soggetti di cui al comma 1, lettere d), e), f)
e g), di loro fiducia, previa verifica dell’esperienza e della capacità
professionale degli stessi e con motivazione della scelta in relazione al
progetto da affidare
Per scaricare il testo (.doc): Legge 1 agosto
2002, n. 166
Tenendo conto dell’apporto delle nuove tecniche e dei
materiali innovativi, considerando le consistenti
variazioni intervenute nel modo d’interpretare la
tecnologia del restauro e della conservazione ed in
seguito all’approvazione del d.P.R. n. 554 del 1999 che
varia sostanzialmente la struttura del capitolato, si è
pervenuti alla decisione di rivedere il capitolato
d’appalto giunto invariato nel 1999 alla sua quarta
edizione.
Con riferimento al nuovo assetto normativo la nuova
edizione contiene:
Maggiori informazioni: Nuovo capitolato
E' stato
pubblicato sulla Gazzetta Ufficiale del 5 agosto scorso n.182,
il decreto del Ministero di Giustizia del 30 maggio
2002 relativo all'adeguamento dei compensi spettanti ai
periti, consulenti tecnici, interpreti e traduttori per le
operazioni eseguite su disposizione dell'autorita'
giudiziaria in materia civile e penale. La revisione
delle tariffe coinvolge tutti i professionisti della cui
consulenza si avvalgono i giudici nei tribunali. In
particolare gli articoli 11, 12, 13, 14 e 16 si occupano
della revisione delle tariffe spettanti agli operatori
dell'edilizia.
Questo significa che quando il giudice dovrà liquidare i
compensi a ingegneri, architetti, geometri e periti, dovrà
attenersi a questo decreto e alle tariffe in esso
indicate.
Per scaricare il testo :
Decreto Ministeriale 30/05/2002
"20th Century Exterior
Architectural Metals: Design, Preservation, and Care"
an intensive conference/training program to be held in
Cambridge, Massachusetts, on April 4-5, 2003--will explore
technical and practical issues involved in keeping metal
facades, exterior components, and structural elements of
buildings constructed in the recent past, as well as metal
outdoor sculpture, in good condition and will probe the
cost-benefits of procedures for preserving and protecting
these building envelopes, ornamentation, and artistic
works.
Sponsored by Technology and Conservation, the MIT
Department of Architecture, and the Boston Society of
Architects/AIA's Historic Resources Committee, this
conference will first cover the basic
material properties, corrosion behavior, and performance
features of stainless steels, copper alloys, aluminum
alloys, titanium alloys, Corten, and wrought iron. Testing
and inspection procedures and
pitfalls will then be detailed, followed by a discussion
of design and structural considerations. Practical,
cost-effective strategies for the care and preservation of
architectural metal systems (including techniques such as
repatination, regilding, and coating) will be examined.
Several case histories will be presented highlighting the
lessons learned from these projects, vis-a-vis viable
approaches to preservation and maintenance planning,
facilities management, and stewardship of properties. A
look as some building materials now under development will
provide an understanding of what future care programs
might need to encompass.
Walking tours of buildings designed by Frank Gehry,
Stephen Holl, and others will allow direct observation of
how various metal alloys have been used in the last
decades of the 1900s. Also viewable will be outdoor works
by sculptors such as Calder and Nevelson.
The topics to be discussed will provide valuable, usable
information for:
-
architects and architectural conservators
-
object conservators
-
building restoration specialists
-
engineers
-
building maintenance supervisors
-
construction specifiers
-
contractors
-
campus and educational facilities planners
-
federal, state, and local government officials
responsible for the care, rehab, and/or continued
viability of buildings and other structures or of
public art
-
operations/facilities managers and administrators
of libraries, museums, and other cultural institutions;
educational and commercial complexes; and religious
properties
-
manufacturers and suppliers of components/systems
for the preservation, restoration, repair, and/or
maintenance of architectural metals.
The conference speakers are recognized authorities in the
fields of architecture, architectural preservation,
building technology, objects conservation, structural
engineering, corrosion engineering,
materials science, and test engineering.
Call For Poster Presentations: Submission date for
proposals for poster presentations at the symposium is
October 15, 2002. Posters (a poster presentation being one
30" x 40" board, or two 20" x 30" boards) will be on
display for viewing during the conference.
The posters can be on a project involving (1) the
preservation and/or care of structures featuring 20th
century architectural metals for the building envelope or
exterior ornamentation, or for outdoor sculpture, or (2)
research into the performance, restoration, or care of
these alloys in building or artistic work usage. Proposals
should be submitted to: Technology and Conservation, Attn:
Susan E. Schur, Hon. AIA, 76 Highland Avenue, Somerville,
MA 02143, U.S.A.
Registration: The registration fee for the conference is
$345 per person until February 15, 2003. After February
15, 2003, the registration fee is $405 per person. The
registration fee includes the April 4-5, 2003 conference,
two luncheons, and a reception.
The AIA's National Historic Resources Committee's Spring
2003 meeting is being held in conjunction with this
conference, and will include talks, bus tour, a luncheon,
and two receptions.
A combined registration fee for the National HRC meeting
and the "20th Century Exterior Architectural Metals"
conference is offered, covering all program events--April
3-6, 2003 (the April 4-5 conference, additional talks on
April 3 and April 6, three luncheons, three receptions,
and a bus tour).
The combined fee prior to February 15, 2003 is $445 per
person; after February 15, 2003,
the combined fee is $520 per person. Registration fees are
given in U.S. dollars.
For the schedule or for more details on the conference,
contact
Technology and Conservation
76 Highland Avenue, Somerville, MA 02143
USA
Tel: 617-623-4488
Fax: 617-623-2253
" Les polymères"
Dans la création-reproduction, la conservation-restauration et la
présentation des oeuvres patrimoniales. 15 - 16 octobre 2002
Maison de la Chimie - Paris
thème 1 Création artistique contemporaine
sous son double aspect design et formulation
• Marie-Claude Corbeil - Institut Canadien de Conservation -
Ottawa
• Danièle Giraudy - Directrice des Musées de Marseille
• Henri Strub - AtoFina - Paris
C'est dans ce domaine que les polymères synthétiques offrent
certainement le maximum de possibilités soit à l'état de masses
plastiques, de composites ou de plaques dont la mise en œuvre
s'avère commode (polyesters, acryliques, polycarbonates), soit
sous forme expansée dont il faut maîtriser soigneusement la
cinétique d'expansion (polystyrènes, polyuréthannes). En outre,
les polymères entrent dans la formulation de nouveaux liants pour
la matière picturale et sont également utilisables comme adhésifs
pour le collage et l'assemblage d'éléments de structures, offrant
ainsi à l'artiste de nouvelles possibilités de création.
thème 2 Conservation - restauration :
protection et revêtement de surface
• Jean-Claude Dran - CNRS - Centre de Recherche et de
Restauration des Musées de France - Paris
• Bertrand Lavédrine - Centre de Recherche sur la Conservation
des Documents Graphiques - Paris
• Liliane Masschelein-Kleiner - Institut Royal du Patrimoine
Artistique - Bruxelles
• Martine Regert - CNRS - Centre de Recherche et de Restauration
des Musées de France - Paris
L'emploi des polymères dans ce domaine répond à un double
objectif : protection des œuvres contre les agents extérieurs et
renforcement de la brillance.
Les vernis et les couches protectrices traditionnelles sont à
base d'huiles, de protéines, de cires et de résines naturelles
tandis que les revêtements contemporains sont généralement des
composés synthétiques (cellulosiques, vinyliques, acryliques, etc.).
Les principaux problèmes que posent actuellement ces produits
très variés sont :
• leur pouvoir liant, leur adhésion au substrat et leur
interaction à long terme avec le substrat ;
• leur mode d'application ;
• leur évolution avec, en particulier, les mécanismes de
transformation sous l'action de la lumière et de l'environnement
pour lesquels il conviendrait de développer des techniques
analytiques spécifiques et de dégager des pratiques recommandées
d'emploi ;
• leur influence sur la réversibilité des traitements et l'élimination
des couches de protection à base de polymères naturels ou
synthétiques (remplacement des solvants organiques par des
solvants aqueux).
thème 3 Conservation - restauration consolidation des
matériaux poreux
• Gilles Chaumat - Arc Nucleart - Grenoble
• Ernest Maréchal - Université Paris 6 - Société Française de
Chimie - Paris
• Philippe Larraillet - Rhodia - Lyon
• Isabelle Pallot-Frossard - Laboratoire de Recherche des
Monuments Historiques - Champs-sur-Marne
Les polymères utilisés dans le traitement des matériaux poreux
peuvent être de consolidation, ou de protection contre les agents
extérieurs. Dans tous les cas, le résultat dépend de la nature du
polymère, de ses caractéristiques et de la technique mise en
œuvre. Les principales préoccupations concernent
• les modes de traitement et de consolidation ; en particulier l'imprégnation
des matériaux et la profondeur de pénétration du traitement ;
• la modification de l'aspect de surface des matériaux ;
• la stabilité à long terme et donc la durabilité du traitement ;
• la réversibilité.
thème 4 Moulage et prise d'empreinte pour la reproduction
• Patrick Bourgin - Ecole Supérieure de Plasturgie - Oyonnax
• Henry de Lumley - Museum National d'Histoire Naturelle - Paris
• Liliane Léger - Collège de France - Paris
• Gilbert Schorsch - Société de Chimie Industrielle - Paris
Cette activité produit les répliques commercialisées des œuvres
d'art pour le grand public, mais aussi les copies qui remplacent
en plein air les originaux trop fragiles, ou encore les
nombreuses empreintes d'une mémoire archéologique fugitive. Elle
fait appel à divers types de matériaux : métal (bronze), liants
hydrauliques (plâtre, ciment), pierre et matériaux organiques
(résine). Les problèmes concrets qui se posent sont ceux du
démoulage des objets lors de la prise d'empreinte, ou celui plus
prospectif de la reproduction sans contact, à l'aide de lasers.
thème 5 Les polymères en muséographie
• Catherine Blanchard - Musée du Peigne et de la Plasturgie -
Oyonnax
• Jean-Louis Boutaine - Centre de Recherche et de Restauration
des Musées de France - Paris
• Jean-François Milou - Architecte - Paris
Lors de l'exposition des œuvres d'art, les polymères
interviennent essentiellement dans deux fonctions :
• la mise en valeur de l'œuvre sur des supports en polymères qui
peuvent avoir des formes extrêmement complexes, permettant de
jouer avec la couleur et la lumière et ainsi d'allier l'esthétique
à la fonction " support " ;
• la protection des œuvres contre toute forme d'agressions
physiques, mais également contre la poussière, la lumière intense
et les ultraviolets. Pour concilier ce rôle protecteur et la
bonne lisibilité de l'œuvre, des traitements de surface
permettent par exemple d'atténuer les reflets, 'augmenter la
résistance à la rayure, etc.
Programma ed informazioni generali in:
http://www.scifrance.org/congres/artetchimie/artetchimie.pdf
ll 25 e 26 Ottobre
2002, presso Villa Contarini di Piazzola sul Brenta (Pd), si terrà il primo
congresso internazionale dal titolo: COLORE E CONSERVAZIONE - MATERIALI E
METODI NEL RESTAURO DELLE OPERE POLICROME MOBILI.
II programma del congresso è consultabile:
Programma
la scheda di iscrizione:
Scheda adesione.doc dovrà
essere scaricata, compilata e inviata a:
tiziana.cosma@enaip.veneto.it
Fondazione per
la Conservazione e il Restauro dei Beni Librari, Spoleto (PG)
Workshops
on photographic conservation:
1. Storia e identificazione della fotografia
Lunedì-venerdì
Il 21-25 Ottobre 2002 9 a.m. -6 p.m
2. Conservazione della fotografia
Lunedì-venerdì
Il 18-22 Novembre 2002 9 a.m. -6 p.m
3. Opere pratiche su tecniche storiche
Lunedì - mercoledì
Il 9-11 Dicembre 2002 9am-6pm
Direzione: Maria Franco di Di di Lilli
Tutore principale: Lorenzo Scaramella
Tutori che assistono: Marco Imperatore, Silvia Zappala
Oratori:
Isabelle Anex, Silvia Berselli, Giulia Cucinella-Briant, Lorenza
Fenzi, Alberto Manodori, Montanari di Babbo Natale di Maria, Luciano
Residori, Luciana Rossi, Lorenzo Scaramella
Termine massimo per la registrazione: Il 28 Settembre 2002
Tassa: Prima l'officina: 620 EURO
Seconda officina: 620 EURO
Terza officina: 365 EURO
Assegno bancario a Carispo Sede, c/13294
Informazioni:
restaurolibro@libero.it
Tel: 0743 224298
Fax: 0743 224760
Archivists,
librarians, curators, and photographers in charge of photographic
materials need to know about the role of new technology in
collections management. Digital imaging offers unprecedented
opportunities for access to historical materials. But how can it be
combined with established preservation methods in an integrated
strategy, to ensure optimal access today as well as in the future?
A three day workshop on preventive conservation and digitization of
photographic materials will address this issue. The workshop will
cover basic introductory concepts such as process identification of
supports and preservation methods combined with digitization
principles and its integration into a conservation strategy.
Introduction.
The characteristics of various photographic processes and the
different materials encountered in photographic collections will be
reviewed. Specific requirements for their handling and preservation
will be related to the nature and function of different types of
photographic collections. The workshop will present the basic
concepts of digitization, terminology, and issues to consider when
planning a project. Integration of a digitization project within an
existing preservation strategy as well as the planning of a
well-rounded project will be discussed. Attention will be given to
assessment, setting priorities, specifications, budgeting,
preparation and security of original objects, and quality control.
In the scope of the workshop, participants will acquire a basic
knowledge of technical issues that will enable them to make informed
decisions about the role of digitization within a preservation and
management strategy for photographic collections.
Speakers include:
Jean-Paul Gandolfo
Professor at the Ecole Nationale Superieure Louis-Lumiere (Noisy-le-Grand,
France)
Pierre-Emmanuel Nyeborg
Consultant, preventive conservation and photograph conservation
Jean-Gabriel Lopez
Consultant, preventive conservation and digitization
They will present outlines of issues and theory as well as practical
cases, a substantial part of the workshop will be devoted to
practical work and group assignments to develop participants' skills
in finding their own solutions.
The number of participants is limited to 15. The workshop will be in
French. The fee for the three day course is 330 euros. This includes
coffees, teas, lunches and a course packet with supplementary
reading materials.
The workshop is supported by the European Community as part of the
SEPIA program. For registration or additional information please
contact:
Lyzanne Gann SEPIA Training
54 boulevard Voltaire 92600 Asnieres-sur-Seine
+33.0 1 43.50.40.84 (phone/Fax:)
lyzanne.gann@libertysurf.fr
For additional information on the SEPIA program please visit
http://www.knaw.nl/ecpa/sepia/
Il
Convegno 2002 di DEMHIST (ICN Netherlands Institute for Cultural
Heritage) si terrà ad Amsterdam dal 14 al 16 di ottobre.
Il tema sarà "Casa-Museo come un importante testimone di
identità locale e nazionale".
Tutti sono invitati a partecipare.
Si può richiedere il programma e il modulo di partecipazione e
riceverli via e-mail all'indirizzo
demhist@iol.it ;
se si desidera ricevere la brochure contattare l'ICN-Cultural
Institute of Netherlands all'indirizzo
Floor.Stoutjesdijk@icn.nl
.
The Netherlands Institute for Cultural
Heritage (Instituut Collectie Nederland of ICN) is the principal
national information institute for the conservation and management
of cultural heritage. The institute has five core tasks, centred on
the production and provision of information: advice, research,
information, training and support. The ICN is very pleased to host
this conference, as it
provides ICN with another opportunity to emphasize the historic
interior as a topic, after the successful series of events of last
year.
http://www.icn.nl
The location of all conference events will be 'De Industrieele
Groote Club', Dam 27, downtown Amsterdam, unless otherwise.
Sunday, Oct 13, 2002
18:00 Meeting of the DEMHIST Board, only
Monday, October 14, 2002
Chairwoman of the day is Pauline Kruseman, director of the Amsterdam
Historic Museum and chairwoman of ICOM-Netherlands.
9:00 Coffee and registration
9:45 Rik Vos, director of ICN: Welcome to Amsterdam
9:50 Rosanna Pavoni, chair pro-tempore of DEMHIST: 'DEMHIST on the
Brink of its Third Annual Conference'
10:00 Frans Grijzenhout, head of education of ICN: 'A House in
Holland? Identity in the Past and Present'
10:30 Questions
10:40 Break
11:00 Around the world: 'This is My House' in 15 Minutes
Australia: Linda Young
Brazil: Magaly Cabral
Italy: Giovanni Pinna
Morocco: Mohammed Chadli
USA: Dawn Wiegand
USA: Karen Zukowski
12:30 Lunch
13:30 Around the World: 'This is My House' in 15 Minutes
Belgium: Sharon Hirsh
England: Julius Bryant
Ireland: Hugh Maguire
Netherlands: Eloy Koldeweij
Norway: Erik Jondell
Portugal: Maria de Jesus Monge
Sweden: Michelle Facos
15:15 Break
16:00 Frans van Burkom (staff member of ICN) : 'A House in Holland?
Identity in the Future'
16:25 Questions and discussion
17:10 End of program
Ca. 17:45 Drinks offered by ICN at Museumsquare in the former
building of the domestic science school.
The Industrieele Groote Club offers you a limited possibility to
sell books and to display brochures and posters from your museums.
Tuesday, October 15, 2002
9:00 Coffee
9:30-12:00 Workshops (it is necessary to sign up for the workshops
in advance on the registration form)
Workshop 1:
The Second Phase of the Categorization Project: Understanding Your
House Through Sub-Categories, topics: Concepts Involved in
Sub-Categories of Historic House Museums, Analysis of
Sub-Categories of Homes in Which the Patrons Recreated an Historical
Period or Taste Different from their Own, Proposals for Other
Sub-Categories of Historic House Museums and Individuation of
Distinctive Elements as "Reading Keys," Reflections on the Most
Effective Means to Communicate the
Significant Differences Between the Many Different Sub-Categories of
Historic House Museums, moderator: Rosanna Pavoni, contributors:
Conny Bogaard, Terry Davis, Charlotte Smith (To all those
registering for this workshop preparatory material about the first
phase of the categorization project
will be sent).
Workshop 2:
The Value of the House Museum: How to Deal with Copyright Issues for
the Benefit of the House and its Collection, topics: Museological
Debate on Property and Intellectual Property Rights, Fair versus
Commercial Use, Strategies of Protection and Valorisation of the
Property and Intellectual Property Rights, Procedures and
Contractual Format, Relationships with Agents and Dealers,
International Strategies, Relationship With and Impact of New
Technologies, Delivery Strategies and Cases,
Institutional and Financial Issues, moderator: Guido Guerzoni,
contributor: Wim Jacobs.
Workshop 3:
Kasteel Amerongen: 'How and Where to Start When the Problems are
Substantial: an Integrated Approach for the Historic House Museum,'
topics: Assessing the Situation, Establishing Priorities, Surveying
and Documenting the Collection, Building Support, the Collection as
an Ensemble versus the Needs of Individual Objects, Presentation
versus Preservation, Authenticity versus Reconstruction, Keeping a
Collection in a Monument, moderator: Tessa Luger, contributors: Eloy
Koldeweij, Charlotte van Rappard, Steven Coene, Christel Paul.
Workshop 4:
Rescue of the former Museum of Artis-Zoo: Preservation, Restoration,
and Destination: How and Where to Start? A Chance for the New
Museum-Axis in Amsterdam, topics: Scenarios of
Rearranging the Ensemble of Building, Interior and Collection,
Strategies of Organizing, Conservation Policies, Investment and
Exploitation, moderator: Arnoud Odding, contributors: Joost Willink,
Natasja Wehman.
12-13:30: Lunch and transport to chosen excursions (handy
arrangements in public transport)
13:30-19:00 Three Visits.
Follow-up of the workshops will take place through excursions to
Amsterdam's historic house museums (please mark your preference for
one of the visits in advance on the registration form)
A. "Museum Amstelkring: a Safe Haven for Religion (Roman Catholic)
and Culture in the Red Light District: Planning a New Wing,"
presented by the director, Judikje Kiers, and Thijs Boers.
"The Anne Frank House: a Famous Girl and an Amsterdam House with
900,000 Pilgrims Yearly: How to Manage Visitors and Prevention,"
presented by Teresien da
Silva.
B. "Museum van Loon: a House Museum," presented by Tonko Grever "Museum
of Willet Holthuysen: How to Exploit a House Museum?," presented by
a staff member
C. "House of the Family Six: a Private Collector's House," presented
by a member of the Six family
"The Former Artis 'Grand Museum'," presented by Arnoud Odding and
Joost Willink
19:00 End of program
Ca. 19 Drinks in the Museum Willet-Holthuysen, Herengracht 605,
offered by ICOM- Netherlands.
Wednesday, October 16, 2002
9:30 Annual meeting of members of the DEMHIST committee?all members
encouraged to attend; any motions to be voted on by voting members
only; new board members for 2002-2005 to be elected by voting
members, only
or
Free-time in Amsterdam and Amsterdam house museums (access arranged
by ICN)
12:30 Departure by bus to excursions outside of Amsterdam. Brown bag
lunch in the bus (it is necessary to choose and sign up for the
excursions in advance on the registration form, space is very
limited)
1. "Visit to Kasteel De Haar (in Haarzuilens), Value Assessment,
Identity, Prevention, the Public, and
Revenues," two guided tours (in English, max. total 60 persons)
continued by :
"Visit to Kasteel Amerongen (in Amerongen), Value Assessment,
Identity, Prevention, the Public, and
Revenues," presented by Tessa Luger and Eloy Koldeweij (in English,
max. total 60 persons)
2. "Visit to Jachtslot St. Hubertus (in Otterloo): Value Assessment,
Identity, Prevention, the Public, and
Revenues," two guided tours (in English, max. total 40 persons)
Ca. 19:00 Dinner in Amsterdam. Nasi goreng (Indonesian rice-table)-
optional
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